Carolyn Karcher’s introduction helped me bring the two separate issues of religious nationalism and racism together as she showed the parallels between Charles Brown and Hobomok. She explains,
Both represent a fusion of nature and culture. Both foster
the aesthetic impulses Puritan society contemns. Both fulfill the spiritual
aspirations thwarted in Mary by a religion that has ruled out the feminist
principle. Both embody the sexuality Puritanism seeks to repress. And both,
above all, provide a means of defying patriarchal authority, as vested not only
in Mary’s father but in the society for which he stands. (xxix)
Although
I wanted to see a stronger feminist stance, the connection Karcher establishes
between Brown and Hobomok shows that at its core the novel fights against
patriarchal Puritan society. Even when Hobomok is replaced by Brown, the text
still strongly rejects Puritan values, thus reinforcing ties with England.
Child refers to Mary’s past in England as a “fairy dream” (78),
and she explains that “the remembrance of the little fairy” (46) that Mary was
in England caused Charles to follow her to America. England is viewed as a
positive, fantasy-like place straight out of romance. However, the romanticized
past is no longer the present reality. Conant argues that “England has come to
a dreadful pass in these days” (116). Even Charles Brown laments, “My hearte
bleedeth for olde England, torne with religious commotions, as she hath beene,
from the time of the second Tudor: but my feeble hand may not stop her wounds”
(104). The solution is to bring a piece of England to America and to fuse it
with certain native qualities found there just as Karcher fuses together certain
aspects of Charles and Hobomok. Mary’s son is a clear embodiment of the
intermingling of English and Native American, and his name specifically joins
Mary’s two lovers together.
Ezra Tawil interestingly points out that the issue of race
actually becomes more important than the issue of religion when Charles
replaces Hobomok as Mary’s husband: “By giving his blessing to the same union
which he had prohibited before Mary went native, Mr. Conant pronounces
religious difference inconsequential in relation to race” (112). Reading the
text in this light, Child clearly shifts the focus of her novel part way
through. I was disappointed to see Child ultimately give in to the “popular
convention” of the Vanishing American that “premised on a moralistic judgment,
had become natural law” (Dippie 11). Not only does Hobomok disappear into the
wilderness, but his son returns to England and relinquishes his Indian name.
Although Child doesn’t “move beyond racial egalitarianism to
cultural pluralism” (215) in “An Appeal for the Indians,” I appreciated that
this text showed a stronger anti-racist stance. Rather than reinforcing ties
with England at the expense of the Native Americans, she clearly exposes the
faults of white people in various nations at different periods of time while showing
Indians in a positive light. She also directly attacks the convention of the
Vanishing American, arguing, “How can people
improve, who are never secure in the possession of their lands? Yet, while we
are perpetually robbing them, and driving them ‘from post to pillar,’ we go on
repeating, with the most impudent coolness, ‘They are destined to disappear before the white man’” (231). Child takes a
much more radical stance against racism in this piece.
Hi Cristy, I too was hoping for something more radical. But I'm wondering if Child is addressing the issues of religion and nationalism because of the climate she was writing in with issues of slavery and settler encroachment into Native territories. I wonder too if the ambivalence in feminist ideology has something to do with the nation-building. As if to say: "We women must stand strong behind our men and support them as they forge a new nation" ...and so on. Though the book is set in the 1600s, it seems the current issues of Child's time are affecting the narrative.
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